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The AI Institute is Coming to Zurich

To support further growth and attract the best talent in Europe, the AI Institute is opening an office in Zurich in early 2024. The Zurich team will work to further advance intelligent, agile, and dexterous robotic systems that will operate in some of the world’s most challenging environments.

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Time Natalie Alper Time Natalie Alper

The 100 Most Influential People in AI

Marc Raibert does not have a whole lot of respect for robots—which is funny coming from a man who has chosen to spend much of his professional life with them. “Robots are as dumb as toasters, they’re as dumb as doorknobs,” he says. “They do what you tell them to do, but you usually need a pretty well-defined environment in which they can do it.”

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BBC News Natalie Alper BBC News Natalie Alper

AI: Looking to the future

It’s been claimed artificial intelligence will be as revolutionary as mobile phones or the internet, but there are fears that developments in AI could come at the cost of jobs. We assess the pros and cons of this rapidly-evolving technology, with insight from Marc Raibert, Executive Director of the Boston Dynamics AI Institute.

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IROS Jiuguang Wang IROS Jiuguang Wang

Marc Railbert’s Interview at IEEE IROS

At the IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS), IROS TV sits down for a discussion with Dr. Marc Raibert, the Executive Director of the AI Institute and Founder of Boston Dynamics, about the philosophy of robotics research and development.

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Bloomberg Heather Murphy Bloomberg Heather Murphy

Hyundai's brand new AI institute

Boston Dynamics AI Institute Executive Director Marc Raibert joins Emily Chang to discuss their work with Hyundai and their $400 million investment to set up the Institute, and discuss the state of artificial intelligence and robotics development.

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IEEE Spectrum Heather Murphy IEEE Spectrum Heather Murphy

Hyundai Motor Group launches Boston Dynamics AI Institute to spearhead advancements in artificial intelligence & robotics

It took a while before we got back to robotics. Sony was really the trigger—we’d worked for them quietly for about five years and made a running AIBO which never saw the light of day, and then we worked on their little humanoid QRIO, building tools that made it possible to do choreography.

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